پیر ربون

پیر ربون
پیر ربون
زادهٔ	۱۸ اکتبر ۱۶۱۹; لو آور
درگذشت	۱۸ ژانویه ۱۶۸۴; پاریس
ملیت	فرانسه
پیشه	نقاشی
شناخته‌شده برای	Portrait of Antoine de Ratabon
همسر(ها)	Louise Gomboust
فرزندان	Nicolas Rabon

پیر ربون (فرانسوی: Pierre Rabon‎؛ ۱۸ اکتبر ۱۶۱۹ – ۱۸ ژانویه ۱۶۸۴) نقاشی سبک پرتره‌نگاری اهل فرانسه بود که در دوران سلطنت لوئی چهاردهم فعالیت داشت.^[۱] رابون در ۳ ژوئیه ۱۶۶۰ به عضویت آکادمی سلطنتی نقاشی و مجسمه‌سازی درآمد.^[۲]

نگارخانه ویرایش

Louis Roupert, Master Goldsmith at Metz, engraved 1668 by Louis Cossin [Wikidata] after a painting by Pierre Rabon
Possibly Pierre Rabon's 1660 reception piece, a portrait of Antoine de Ratabon (کاخ ورسای)^[۳]
Saint John Preaching in the Desert, attributed to Pierre Rabon (Musée des Beaux-Arts, کارکاسون)

پانویس ویرایش

↑ Benezit 2006.
↑ Montaiglon 1875, p. 169.
↑ The subject of this portrait was identified as Louis Le Vau in 1955 by Albert Laprade, who recognized the plan as that of the southwest corner of the old Louvre, that is the Bathing Apartment of the Queen Mother Anne d'Autriche, remodeled by Le Vau in the summer of 1661, and the building illustrated in the background as the pavilion at the north end of the Louvre's Petite Galerie (see Galerie d'Apollon), constructed after the fire of 1 February 1661 (see also Laprade 1960, chapter 3, plate 1).
Christophe Hardouin disputed Laprade's attribution in an unpublished thesis for the University of Paris and identified the painting as Pierre Rabon's presentation piece before the Academy on 3 July 1660, which portrayed Antoine de Ratabon (1617–1670), Surintendant des Bâtiments (see Thierry Bajou; also Hilary Ballon 1999, p. 201, note 8, who was unable to examine the thesis but cites Bajou). Bajou comments that the "building plan and the facade therefore correspond to projects and not to completed buildings. It is unfortunately, just as impossible to confirm this identification, by comparing the sitter's features with those in other painted, sculpted or engraved portraits."

منابع ویرایش

Bajou, Thierry (1998). La peinture à Versailles : XVIIe siècle. [English edition: Paintings at Versailles: XVIIth Century, translated by Elizabeth Wiles-Portier, p. 76.] Paris: Réunion des musées nationaux. شابک ‎۹۷۸۲۲۸۳۰۱۷۶۴۷. شابک ‎۹۷۸۲۲۸۳۰۱۷۶۵۴ (English edition).
Ballon, Hilary (1999). Louis Le Vau: Mazarin's Collège, Colbert's Revenge. Princeton University Press. شابک ‎۹۷۸۰۶۹۱۰۴۸۹۵۶.
Benezit Dictionary of Artists (2006), vol. 11, p. 575 ("Rabon, Pierre" and "Rabon, Nicolas"). Paris: Gründ. شابک ‎۹۷۸۲۷۰۰۰۳۰۷۰۹.
Fontaine, André (1914). Académiciens d'autrefois. Paris: H. Laurens. Copy at Internet Archive.
Hardouin, Christophe (1994). "La Collection de portraits de l'Académie royale de Peinture et de Sculpture: Peintures entrées sous le règne de Louis XIV (1648–1715", Mémoire de D.E.A., Université de Paris IV, 1994, pp. 164–166.
Jal, Auguste (1872). "Rabon (Pierre), — (Nicolas)", pp. 1030–1031, in Dictionnaire critique de biographie et d'histoire, 2nd edition. Paris: Henri Plon. Title page at Gallica.
Laprade, Albert (1955). "Portraits des premiers architectes de Versailles", Revue des Arts, March 1955, pp. 21–24. ISSN 0482-7872
Laprade, Albert (1960). François d'Orbay: Architecte de Louis XIV. Paris: Éditions Vincent, Fréal. اُسی‌ال‌سی ۵۶۲۰۶۳۱۷۹، ۷۸۰۵۳۱۷۳۰ و ۱۰۹۶۷۸۲.
Montaiglon, Anatole de (1875). Procès-verbaux de l'Académie royale de peinture et de sculpture, 1648-1793, Volume 1 (1648–1672). Paris: Charavay frères. Copy at Internet Archive.
Montaiglon, Anatole de (1893). Descriptions de l'Académie royale de peinture et de sculpture par son secrétaire Nicolas Guérin et par Antoine-Nicolas Dézallier d'Argenville le fils (1715–1781). Paris: La Société de propagation des livres d'art. Copy at Gallica.
Williams, Hannah (2015). Académie Royale: A History in Portraits. Farnham, Surrey: Ashgate. شابک ‎۹۷۸۱۴۰۹۴۵۷۴۲۸.

پیوند به بیرون ویرایش

این یک مقالهٔ خرد نقاشی است. می‌توانید با گسترش آن به ویکی‌پدیا کمک کنید.

[Benezit-1] Benezit 2006.

[2] Montaiglon 1875, p. 169.

[RecepPiece-3] The subject of this portrait was identified as Louis Le Vau in 1955 by Albert Laprade, who recognized the plan as that of the southwest corner of the old Louvre, that is the Bathing Apartment of the Queen Mother Anne d'Autriche, remodeled by Le Vau in the summer of 1661, and the building illustrated in the background as the pavilion at the north end of the Louvre's Petite Galerie (see Galerie d'Apollon), constructed after the fire of 1 February 1661 (see also Laprade 1960, chapter 3, plate 1).
Christophe Hardouin disputed Laprade's attribution in an unpublished thesis for the University of Paris and identified the painting as Pierre Rabon's presentation piece before the Academy on 3 July 1660, which portrayed Antoine de Ratabon (1617–1670), Surintendant des Bâtiments (see Thierry Bajou; also Hilary Ballon 1999, p. 201, note 8, who was unable to examine the thesis but cites Bajou). Bajou comments that the "building plan and the facade therefore correspond to projects and not to completed buildings. It is unfortunately, just as impossible to confirm this identification, by comparing the sitter's features with those in other painted, sculpted or engraved portraits."

[۱]

[۲]

[۳]

پیر ربون
زادهٔ	۱۸ اکتبر ۱۶۱۹ لو آور
درگذشت	۱۸ ژانویه ۱۶۸۴ پاریس
ملیت	فرانسه
پیشه	نقاشی
شناخته‌شده برای	Portrait of Antoine de Ratabon
همسر(ها)	Louise Gomboust
فرزندان	Nicolas Rabon