آرایشگر سویل: تفاوت میان نسخه‌ها

!نوع صدا<ref>The voice types given here refer to the original cast as listed in a 2010 program book from [[لا فنیچه|Fondazione Teatro La Fenice di Venezia]] (see [httphttps://web.archive.org/web/20101129081442/http://teatrolafenice.it/public/libretti/106_6198Barbiere_v4.pdf ''Il barbiere di Siviglia''], p. 37 [pdf p. 51]), except for Figaro. Although the program book lists Figaro as a bass, all other sources cited here have baritone.</ref>

| کنترالتو<ref>Originally written for contralto according to a [httphttps://web.archive.org/web/20101129081442/http://teatrolafenice.it/public/libretti/106_6198Barbiere_v4.pdf 2010 program book] from [[لا فنیچه|La Fenice]], as well as Richard Osborne 1992, p. 311. Contemporary printed scores tend to list Rosina as a mezzo-soprano role, and the role is listed as mezzo-soprano by Charles Osborne 1994, p. 52; Gosset & Brauner 2001, p. 776; and Kobbé 1997, p. 667. Actual casting practice of opera houses varies widely. Some mezzo-sopranos can sing it as originally written without alteration, but a popular transposed version is often used when a soprano is cast in the role. Singers of all three voice types have found considerable success with the role (Foil & Berger 2006).</ref>