توضیح086-did-the-Hand-then-of-the-Potter-shake-q75-1020x1401.jpg	Did the Hand then of the Potter shake
تاریخ	1905, 1912
منبع	Omar Khayyam, tr. Edward Fitzgerald: “The Rubaiyat of Omar Khayyam” (1905, 1912) [1]
پدیدآور	Adelaide Hanscom and Blanche Cumming (fl. 1902 - 1924). Adelaide Hanscom Leeson  (1875–1931)     نام‌های دیگر Adelaide Hanscom توضیحات عکاس و نقاش آمریکایی تاریخ تولد/درگذشت ‏۲۵ نوامبر ۱۸۷۵‏  ‏۱۹ نوامبر ۱۹۳۱‏  محل تولد/مرگ کوس بای، اورگن پاسادینا، کالیفرنیا کنترل از طریق مرجع : Q1875363 VIAF: 30870981 ISNI: 0000000108141105 ULAN: 500068197 Open Library: OL1597863A LCCN: n81141882 WorldCat creator QS:P170,Q1875363
اجازه‌نامه (استفادهٔ مجدد از این پرونده)	Public domainPublic domainfalsefalse این اثر در کشورهایی و مناطقی که مدت زمان حق تکثیر، عمر پدیدآورنده بعلاوه 70 سال یا کمتر بعد از مرگ او است، در مالکیت عمومی قرار دارد. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information). این پرونده تحت قانون حق تکثیر محدودیت آزاد منتشر شده که شامل تمامی حقوق مربوطه و حقوق نزدیک به آن می‌شود. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse

خلاصه

A boy or young man kneels, wearing only a loin-cloth: he is bare-chested and barefoot. He is a potter, holding a cup.

LIX

“Listen again. One Evening at the Close

Of Ramazan, ere the better Moon arose,

In that old Potter’s Shop I stood alone

With the clay Population round in Rows.

LX

And, strange to tell, among that Earthen Lot

Some could articulate, while others not:

And suddenly one more impatient cried—

“Who *is* the Potter, pray, and who the Pot?”

LXI

Then said another—“Surely not in vain

“My Substance from the common Earth was ta’en,

“That He who subtly wrought me into Shape

“Should stamp me back to common Earth again.”

LXII

Another said—“Why, ne’er a peevish Boy,

“Would break the Bowl from which he drank in Joy;

“Shall He that *made* the Vessel in pure Love

“And Fancy, in an after Rage destroy!”

LXIII

None answer’d this; but after Silence spake

A Vessel of a more ungainly Make:

“They sneer at me for learning all awry;

“What! did the Hand then of the Potter shake?”

LXIV

Said one—“Folk of a surly Tapster tell

“And daub his Visage with the Smoke of Hell;

“They talk of some strict Testing of us—Pish!

“He’s a Good Fellow, and ’t will all be well.”