پرونده:Charlotte Salomon - JHM 4351.jpg

پروندهٔ اصلی(۱٬۵۱۵ × ۲٬۲۷۲ پیکسل، اندازهٔ پرونده: ۱٫۲۶ مگابایت، نوع MIME پرونده: image/jpeg)

خلاصه

شارلوت سالومون: from Leben? oder Theater? Ein singspiel   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
هنرمند
شارلوت سالومون  (1917–1943)  wikidata:Q213735 q:en:Charlotte Salomon
 
شارلوت سالومون
نام‌های دیگر
Sharlota Salomon; Charlotte Kann
توضیحات هنرمند، نقاش، پدیدآور و نویسنده آلمانی
تاریخ تولد/درگذشت ‏۱۶ آوریل ۱۹۱۷‏ ویرایش در ویکی‌داده ‏۱۰ اکتبر ۱۹۴۳‏ ویرایش در ویکی‌داده
محل تولد/مرگ برلین Auschwitz II-Birkenau concentration camp
دوره کار از ۱۹۳۹ تا ۱۹۴۳
date QS:P,+1950-00-00T00:00:00Z/7,P580,+1939-00-00T00:00:00Z/9,P582,+1943-00-00T00:00:00Z/9
محل کار
کنترل از طریق مرجع
artist QS:P170,Q213735
عنوان
from
Leben? oder Theater? Ein singspiel
تاریخ حدوداً بین ۱۹۴۰ و ۱۹۴۲
date QS:P571,+1940-00-00T00:00:00Z/8,P1319,+1940-00-00T00:00:00Z/9,P1326,+1942-00-00T00:00:00Z/9,P1480,Q5727902
تکنیک/سبک گواش روی کاغذ
medium QS:P186,Q204330;P186,Q11472,P518,Q861259
ابعاد ۳۲٫۵ × ۲۵٫۰ سانتی‌متر
institution QS:P195,Q702726
آی‌دی
4351
تاریخ نمایش Fodor Museum, Amsterdam, 1961 (brochure)
خط اعتبار Charlotte Salomon Foundation
کتیبه Artist's monogram CS top left.
یادداشت‌ها
  • This work is a gouache by Charlotte Salomon, part of her principal work Life? or Theatre?. It is placed by editors towards the end of Act 2 of the Prelude. It depicts the fictional Charlotte Kann at work after taking drawing lessons following a discouraging start that had seen her fail her first test for admission to the Academy of Arts. She subsequently gains admission (Felstiner pp. 36-9). Salomon herself attended the Vereinigte Staatsschulen für freie und angewandte Kunst (United State Schools for Pure and Applied Arts) in Berlin from 1936 to 1938 on the strength of the Gesetz gegen die Überfüllung deutscher Schulen und Hochschulen (Law Against Overfilling the German Schools and Colleges), which provided that up to 1.5% of the student body might be of Jewish origin if their fathers had served at the front in the First World War (Salomon's father had been a military doctor). But by Summer 1938 it became too dangerous for Charlotte to attend in case her Jewish backgound was discovered and she did not return, despite winning a prize (Fischer-Defoy and Belinfante, pp. 17-21).
  • There is no text, music or transparency associated with this gouache. For the Jewish Historical Museum interactive page use this link.
  • Commentaries:
    • Mary Felstiner, Salomon's principal biographer, notes that the chair, shoes, fruits, and sunflowers make the picture a homage to Vincent van Gogh, who himself had faced a discouraging start to his career. (p. 37).
    • Judith Belinfante notes that Salomon scribbled a comment in pencil (at JHM 4918?): "That which van Gogh attained later in life, ... a brushstroke of unprecedented lightness, which unfortunately seems to have a distinctly pathological side, I have attained already" (Herzberg, viii). Felstiner remarks that van Gogh is the only artist Salomon mentions in her notes (p. 66).
منابع
  • Paul Tillich and Emil Strauss, Charlotte: A Diary in Pictures, 1963, New York : Harcourt, Brace & World LCCN 63014210.
  • (ed.) Judith Herzberg, Charlotte Salomon: Life or Theater?. The Viking Press, New York, 1981. ISBN 0-670-21283-0.
  • Mary Lowenthal Felstiner, To Paint Her Life. Harper Collins, 1994. ISBN 0-06-017105-7.
  • Michael P. Steinberg (Editor), Monica Bohm-Duchen (Editor), Reading Charlotte Salomon, Cornell University Press, 2005. ISBN 0-8014-3971-X.
  • Christine Fischer-Defoy and Judith C. E. Belinfante, Biography 1917-194, in Charlotte Salomon: Life? or Theatre?. Royal Academy of Arts, London, 1998, ISBN 0-900946-66-0 (pp. 15-25)
منبع/عکاس Museum page
اجازه‌نامه
(استفادهٔ مجدد از این پرونده)
  • The bulk of Charlotte Salomon's work was published for the purposes of US law when her estate gifted her work to the Charlotte Salomon Foundation at the Joods Historisch Museum in 1971. If follows that the bulk of her work only enters the Public Domain in the US 95 years later at the end of 2066. In addition an earlier tranche of some 80 gouaches published in 1963 both in the US and abroad entered the Public Domain in the US in 1992 because their copyright was not renewed. However these gouaches may have had their copyright restored under the terms of the Uruguay Round Agreements Act (URAA) depending on whether their original publication in the US coincided or not with their publication abroad. It is not Commons policy to host URAA restored works.

اجازه‌نامه

این اثر هنری دوبعدی که در این نگاره دیده می‌شود بخاطر تاریخ درگذشت پدیدآورنده آن یا تاریخ انتشارش هم‌اکنون در سراسر جهان در مالکیت عمومی قرار دارد و استفاده از آن آزاد است.
Public domain

این اثر در کشورهایی و مناطقی که مدت زمان حق تکثیر، عمر پدیدآورنده بعلاوه 70 سال یا کمتر بعد از مرگ او است، در مالکیت عمومی قرار دارد.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

بنابراین تکثیر آن در ایالات متحده آمریکا، آلمان و بسیاری کشورهای دیگر آزاد است.
Copyrighted in the U.S. This work may not be in the public domain in the United States because its U.S. copyright was restored by the URAA as it was still copyrighted in its source country on the URAA date (January 1, 1996 in most cases but see Wikipedia:Non-U.S. copyrights for details). In most cases, it is copyrighted in the U.S. until 95 years after the year in which it was initially published (exceptions are works published after 1977; see Commons:Hirtle chart). This template may not be used for files uploaded after 1 March 2012.

If you are the copyright holder of this file, and do not wish to have it hosted on Commons, please contact our designated agent or nominate the file for deletion, explaining the situation.


Deutsch  English  español  français  italiano  sicilianu  slovenščina  Tiếng Việt  русский  മലയാളം  日本語  简体中文  繁體中文  +/−

عنوان

شرحی یک‌خطی از محتوای این فایل اضافه کنید

آیتم‌هایی که در این پرونده نمایش داده شده‌اند

توصیف‌ها

checksum انگلیسی

8c822810d265544f5224ade92e5e1603459a7e40

۱٬۳۲۱٬۰۳۱ بایت

۲٬۲۷۲ پیکسل

۱٬۵۱۵ پیکسل

تاریخچهٔ پرونده

روی تاریخ/زمان‌ها کلیک کنید تا نسخهٔ مربوط به آن هنگام را ببینید.

تاریخ/زمانبندانگشتیابعادکاربرتوضیح
کنونی‏۳ آوریل ۲۰۱۴، ساعت ۲۳:۵۵تصویر بندانگشتی از نسخهٔ مورخ ‏۳ آوریل ۲۰۱۴، ساعت ۲۳:۵۵۱٬۵۱۵ در ۲٬۲۷۲ (۱٫۲۶ مگابایت)Coat of Many ColoursUser created page with UploadWizard

صفحهٔ زیر از این تصویر استفاده می‌کند:

کاربرد سراسری پرونده

ویکی‌های دیگر زیر از این پرونده استفاده می‌کنند: