English: Throughout the latter part of his career, Degas was obsessed with the restless beauty of the thoroughbred racehorse. Horse racing, which drew together throngs of people from many levels of society, was a singularly appropriate subject for representing modern life.
Degas typically painted several versions of a composition, making slight variations in each. Here, riders and horses are shown in quiet and agitated movement. By the 1880s, Degas was making good use of recently published, stop-action photographs, which captured movement too fleeting to be perceived by the naked eye and which increased the artist's understanding of the horse in motion.
تاریخ
بین ۱۸۸۲ و ۱۸۸۴
date QS:P571,+1882-00-00T00:00:00Z/8,P1319,+1882-00-00T00:00:00Z/9,P1326,+1884-00-00T00:00:00Z/9
From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951. Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998. A Day at the Races: Degas, Manet and Images of the Horse. National Gallery of Art, Washington. 1998. Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001. Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. 1999-2000. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. Déjà Vu? Revealing Repetition in French Masterpieces. The Walters Art Museum, Baltimore; Phoenix Art Museum, Phoenix. 2007-2008. 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011.
این اثر آزاد است، و هر کسی و به هر منظوری میتواند از آن استفاده کند. برای استفاده از این اثر لازم نیست از کسی اجازه بگیرید، به شرط آنکه ملزومات اجازهنامه را که در همین صفحه ذکر شده است، رعایت کنید.
ویکیمدیا ایمیلی مبنی بر موافقت صاحب کپیرایت با انتشار اثر، تحت شرایط ذکرشده در همین صفحه دریافت کرده است. مکاتبه توسط یکی از اعضای تیم پشتیبانیبررسی شده و در بایگانی اجازهنامهها ثبت و ضبط شده است. مکاتبه با شمارهٔ بلیت 2012021710000834 در دسترس داوطلبان مورد اعتماد است.
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
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پدیدآورندهٔ این اثر در سال ۱٬۹۱۷ درگذشته است، پس این اثر در کشورهایی و مناطقی که مدت زمان حق تکثیر، عمر پدیدآورنده بعلاوهٔ ۱۰۰ سال یا کمتر بعد از مرگ او است، در مالکیت عمومی قرار دارد.
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این اثر توسط پدیدآور آن، Walters Art Museum، به مالکیت عمومی درآمده است. این مربوط به تمام جهان است. در برخی از کشورها ممکن است به صورت قانونی این امکانپذیر نباشد؛ اگر چنین است: Walters Art Museum به هر کسی اجازهٔ استفاده از این اثر برای هر مقصودی، بدون هیچگونه شرایطی، را میدهد تا وقتی که این شرایط توسط قانون مستلزم نشده باشند.
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عنوان
شرحی یکخطی از محتوای این فایل اضافه کنید
Before the Race, 1882–1884, oil on panel. The Walters Art Museum, Baltimore
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